Category Archives: COMICS

Reviews and news.

Action, Animation, Anime, CGI, Comedy, DC, Fantasy, Funny, Horror, MOVIES, Netflix, News, Sci Fi, Super Heros, T.V., Youtube

Coming to Netflix Canada January 5-11, 2020

Leave a comment

Avail. 1/7/20

Rust Valley Restorers: Season 1

Avail. 1/8/20

CHEER

Cheer — NETFLIX DOCUMENTARY
From the team behind Last Chance U, Netflix’s documentary series Cheer follows the competitive cheerleaders of Navarro College in Corsicana, TX.  Led by Monica Aldama, the small junior college has won 14 National Championships since 2000. The stakes on the mat are high, but for these athletes, the only thing more brutal than their workouts and more exceptional than their performances are the stories of adversity and triumph behind the team members themselves. Over the course of six episodes, viewers will join the Navarro College cheerleaders as they face injuries, sacrifice, personal setbacks and triumphs, all leading up to one nail-biting and adrenaline-pumping final competition at the National Championship.

Avail. 1/10/20

AJ AND THE QUEEN

AJ and the Queen — NETFLIX ORIGINAL
RuPaul stars in this outrageous series as a down-on-her-luck drag queen traveling across America in a van with a tough-talking 10-year-old stowaway.

Giri / Haji — NETFLIX ORIGINAL
Family duty sends a lawman to London to look for his mob-assassin brother as a yakuza war threatens to engulf Tokyo. Trust is even tougher to find.

Harvey Girls Forever!: Season 4 — NETFLIX FAMILY
A robot band, a pirate adventure … and a run-in with a friendly ghost? Just another season on Harvey Street, where every day’s out of the ordinary.

The Inbestigators: Season 2 — NETFLIX FAMILY
Who? When? Where? These school-age sleuths ask smart questions — and they always solve the case! When crime strikes, call the Inbestigators.

Medical Police

Medical Police — NETFLIX ORIGINAL
Two American doctors who discover a deadly virus in Brazil are recruited as government agents in a race to find a cure and uncover a dark conspiracy.

Scissor Seven — NETFLIX ANIME
With a trusted pair of hairdressing scissors and the ability to disguise himself, Seven offers contract killing on the cheap. The only problem? He often has trouble completing assignments.

Titans — Ep. 204 — “Aqualad” — Photo Credit: Ken Woroner / 2019 Warner Bros. Entertainment Inc. All Rights Reserved.

Titans: Season 2 — NETFLIX ORIGINAL
Things have changed. Robin and the Titans aren’t the same group of outcasts they used to be, and neither are their enemies.

Until Dawn — NETFLIX ORIGINAL
France’s funniest comics carry out ghastly tasks as they try to outlast — and outwit — one another while overnighting infamously haunted locations.

Art, COMICS, Marvel, Review

HOUSE OF X #1 – MARVEL COMICS

Leave a comment

WRITER – JONATHAN HICKMAN
ARTIST – PEPE LARRAZ
COVER ARTIST – MARTE GARCIA
LETTERER – CLAYTON COWLES

Ambitious. That was my first thought when I heard that JONATHAN HICKMAN was being put in charge of the X-Men re-launch. It’s the one thing that brought me back to a universe that I stepped away from about 4 years ago after multiple re-launches. I’ve read Hickman’s runs on the Avengers, and Fantastic Four and knew , with  him being one of the best “world builders” in the business, that he could get the franchise back on track. JONATHAN HICKMAN  is a novelist who just happens to have illustrations with his novels. For wordsmiths, him just being named to the project was a win. Now onto the review.

Overall, I did enjoy the book. I read it twice as there is a lot there to unpack as someone who has been outside the X-universe for a while. A few of the characters look different (will take me a while to get used to seeing Professor X look like that) and there were some new faces(both human and mutant), but I never really felt lost at any point in time, and upon my second read I had a much clearer picture of where this group of X-Men were at and the threads that tied them together. Some of your favs aren’t front and center, but it’s a 12 part series between HOUSE OF X and POWERS OF X and there is plenty of time to get the roster fleshed out. This first chapter had a nice slow burn feel to it which is what it should have.

The first chapter also laid the groundwork very methodically to show you the culture that has formed around the X-Men. Each transitional scene ends with a look at a new language, new power levels, new olive branches to a human race that may yet bridge the divide(vague I know, but I meant what I said by “non” spoiler),A look at the lands, factions of mutants and much more. This book clocks in at about a 45 minute read and HICKMAN fills every minute and details and character driven dialogue. It felt a bit like a chess match where the board was being set for the long term game to come.

There is always that question with any re-launch I find. Is this a good jumping off point, as much as it is a jumping on point?Overall the groundwork JONATHAN HICKMAN has begun to lay feels like this is for folks who have not been long time followers of the X-Men, and it seems continuity from the previous X-Men series was not a high priority in his mind. There’s was one glaring example of this, but it was not anything I really minded and made for an interesting new direction for the character.

There is a much different vibe to this re-launch then previous ones in that it seems the mutants seem to feel they are on much more equal footing with the human race then ever before. Magneto’s demeanor through the entire book is not one of fear, hostility or divisiveness. I could say the same for Cyclops. It’s simply a statement of -this is how mutants are going to exist with humans and this is how their idea(and a brilliant piece of story telling idea that it is)is going to work. Take it or leave it. This first chapter  feels as much a societal story , as a political one and the point, counterpoint dialogue between humans and mutants in the story over mutants place in the world and the distrust that is still there makes for some wonderful conversation.

PEPE LARRAZ’S art was a wonderfully detailed addition to this story. I’ve noted before that facials expressions can say so much and they had plenty of opportunity to do so this issue. From Cyclops firm stance with some old friends, to the last panel of the story, some beautifully rendered art told a secondary story without words. The X-Men felt both gritty and elegant this issue which suited the story. Also, of note, Beautifully done illustrations of the landscape of Krakoa also. I felt this was also a pretty cool nod to Giant Size X-Men #1 which also felt like the beginning of a new era.

If you’ve been looking to get back into the X-Men your probably not going to get a much better opportunity then this. JONATHAN HICKMAN seems like he has a long term plan in mind. I’d be pretty happy if we could get 50 really good issues out of this run. Time will tell.

Til next time

Scott

 

Art, COMICS, Commentary, Marvel, Review

VALKYRIE #1 – MARVEL COMICS

Leave a comment

Writers – Jason Aaron & Al Ewing
Artist- Cafu
Colorist – Matt Wilson
Letterer- Joe Sabino.

I’m very fresh to this Asgardian comic universe after many years of being away. I figured with Jane Foster being announced for the new movie “THOR: LOVE AND THUNDER” I should catch up with the goings on in her universe. There’s a nice write up at the beginning of the book, briefly outlining her life up to this point and throughout the story there are more then a few references to the past to give you a good sense of where she is at. On to the review.

Other than curiousity, the art was a strong factor in me picking up this book. From the detailed, magnetic, youthful, looking cover by artist Mahmud Asrar to the strong, angelic inside art of artist Cafu(The first panel is worthy of being a portrait on any wall. Beautiful crafting),I thought the art was on par with the writing in this book, and that is a rarity for me. Facial features, background landscapes, costume renderings, Realm stylings, you name it. All of it really worked for me. Was pleasantly surprised by this. Though in retrospect I shouldn’t be, as Jane Foster is going to be playing a big part in the MCU so it would make sense she is getting” A” talent treatment here.

Jason Aaron & Al Ewing’s writing was also pretty strong in this premiere issue. I love dialogue driven books and this one held up nicely. The first person Jane Foster dialogue gave us some insight as to what came before, so the reader never really had a large amount of questions about why certain things were the way they were. The story some very interesting secondary character introductions(new to me anyway)that I suspect will make for some interesting conversation and storylines down the road. A large key to me for this book will be keeping a balance between the God and the girl(I know she’s not a girl but it’s rhymed and it’s my review).Strong secondary earth bound characters will help with that.

Other then the strong art , the other unexpected surprise of this book was the down to earth feel it had to it. If you liked the Don Blake/ Thor “balance” trials and tribulations of the original series you might feel a bit of nostalgia for this first issue. That and just a pinch of Peter Parker/ Spider-Man life balancing is in there also. For a “Goddess” book I found this ingredient very well done and dispensed through the book. Every good first issue needs a hook to bring you back. This one ended with a page turner, and brought in a villain I would not have associated with this title, and that’s a good thing. Far too many times the arch nemesis is trotted out to pop a first issue and I feel many times that is done too soon. Add to the fact that this villain is now “amplified ” and it’s going to make for an interesting second issue.

I did have a few issues with the overall story. There seems to be a bit of a clique’ to send the hero up against (insert D level villain here) to get the issue started off with a bang. There was more to the story this time, and it recovered nicely, but would have been cool if it could have been avoided completely. Also I found the scene transitions with a few of the characters a little too cut and dry. Overall , I enjoyed the story a lot more then I thought I would. If your looking to try something new, I’d recommend giving it a read. Between the art and writing I don’t think you will be disappointed.

Til Next time

Scott

Art, COMICS, Review

SERA AND THE ROYAL STARS #1 – VAULT COMICS

Leave a comment

Writer – Jon Tsuei

Artist – Audrey Mok

Colorist -Raul Angulo

Letterer – Jim Campbell

Whenever I’m flipping through books at my local comic shop, one of the first things I look for is lots of dialogue on the pages. Even if the subject matter looks like it may not interest me, a good story can reel me in .That’s pretty much what happened here. That, and a beautifully coloured cover that matched the archers “pull” strikingly well.This was my last pick up of the week. Glad it made the cut. Onto the review.

Overall , I enjoyed the book. It’s a story of magic, of family, of legacy and of loss. Relatable characters help any story and there was plenty to relate to here. A fairly ambitious first issue, to set the stage for a journey for chapters to come. I had seen some of the themes before, but when they are well done I really have no issue with it. The general character development was spot on for this first issue .Main character(Princess Sera) gives you an essence of her family bonds, and the stress that comes from that, along with how each of us might deal with an unwanted burden we have no choice but to deal with. There were a fair amount of cast members introduced this chapter ,but there was enough there to make their introduction relevant  and to move the story along.

The art by AUDREY MOK was hit and miss for me .Fleshed out facial features can tell a story all by itself. Would have liked to have seen more development of the characters facial features .Some of the panels it was there and sometimes not. Lots of background  details in the panels though, which helped give the story the sense of adventure that it was. Colorist Raul Angulo gave the panels great finishes with some beautiful shades of yellow and orange which completed the journey of a trek through the desert, and dark blues and purples to signify dreamscape, the coming of the gods and the cool night sky. Bit wordy, I know, but I couldn’t draw a bath so that will have to suffice.

If you enjoy stories in the vein of Aladdin, Gladiator(yes, really), Elizabeth, Joan of Arc, Brave ,or others with strong , adventurous female characters, you’ll probably enjoy this one. It’s a well written, well paced story. One thing that did crack me up a bit was hearing a princess say “shit”. I’m sure they do say that, it just seemed a bit out of place, but it’s a minor thing. I’m not sure I’m giving the second issue a try(I’m “princessed” out. Why can’t the heroine be a courtesan who dives into adventure after her last client of the day?)but you should give the first issue a try and go from there. It’s worth the read.

Til next time

Scott

 

 

 

COMICS, Dynamite, Review, Uncategorized

VAMPIRELLA #1-DYNAMITE COMICS

Leave a comment

Writer – Christopher Priest
Artist &Colorist – Ergun Gunduz
Letterer- Willie Schubert

I should probably state that I actually don’t ever remember reading a VAMPIRELLA comic before. I have however been a fan of Alex Ross’s art for a very long time, so the cover(B) initially sold me on taking a read of the book. It’s probably my favourite of all 5.I’m glad I took a chance on it as, overall, it was much better then I thought it would be. I’ve read far too many “vampish” books that tend to be heavy on the sexuality, but light on the story, so this in that regard was a pleasant surprise.

I’ve been a fan of Christopher Priest’s work since the 3rd volume of Black Panther. Overall I enjoyed his writing on this issue. One thing that did stick out to me which would be more dialect then actual storyline ,was Priest’s literal sounding out of words of one of his characters “Dr. Chary” which I found a bit distracting figuring out what the character was saying. Sometimes it broke up the flow of the story for me. I really enjoyed the dialogue between Dr. Chary and VAMPIRELLA though. Great back and forth that was one of my favourite parts of the story.

Mentioning earlier I had never read VAMPIRELLA,  I found you really didn’t need to have a strong history of the character to enjoy the book and be interested where they were going from here. There were some references to what I assume is past volumes(if so a note in the panel would have been great) of the series, but this played into the current storyline nicely . The story grew on me as it went along and I enjoyed the situations and vulnerabilities, both physical and situational that PRIEST exposed the character to. In this aspect it felt very original to me.

Another small gripe I had was the misleading size of the story.it ran about 20 pages, but the book itself is a pretty thick (34 pages in total).Minor spoiler, it’s a variety of variant covers. Would have much preferred a further more fleshed out storyline for what is one of the more cerebral vampire book beginnings I have seen in a while. I chuckled a bit upon finding out that VAMPIRELLA was indeed Canadian .Had no idea .In that aspect I suppose she is lucky being the undead, because no way does her attire get her through a Canadian winter.

The art and colouring by ERGUN GUNDUZ was hit and miss for me. There was a few splash pages that I would say were really well done. One air shot in particular could be framed and would fit nicely on any geek wall. A few of the panels with VAMPIRELLAS face looked a bit off, almost ghoulish ,for what is a beautiful character for being dead and all. I found the splash pages beautifully colored also.The art serviced the story but never really stood out for me.

This story was not what I expected, so it’s originality will probably appeal to newer fans and keep the character completionists happy also.Worth a read if your looking to try something new. Not putting the book in my file, but will probably grab the second issue off the shelf if I see it.

Til next time

Scott