The first thing that really stood out to me in this first chapter was the art. Chris Callahans style reminds me a lot of David McKean(Hellblazer, Batman: Arkham Asylum).It felt Haunting, spiritual, mystical, and celestial ;with just a touch of Victorian mixed in. This is coming from a reviewer who could not draw a bath, so the fact it effected me the way it did should say something to you.
The story itself is a poignant look at death, and how peace in the after life isn’t always possible if you have questions and yearnings unanswered. James can’t be happy.In his mind , there’s no plane of existence where he’ll feel whole unless the one thing he is missing is right there with him. That’s where his journey will begin. This first step was written very well and I thought the dialogue written in the first person to his wife was enough to make toughest of ladies swoon. Bit of a silver tongue for what folks might call a “dark supernatural” story.
We all hope that at the end of this life we have a just reward. That we will find everlasting peace, and some of us believe that should include being with the things and people we love. James forsakes all of this to go find the one thing in his afterlife he can’t live without no matter how many elaborate dreams his mind can create. There’s an entire undercurrent of dialogue in this book where James almost pits his firm belief that he can never let the memory of his love go against simultaneously living in the afterlife where she is present in a dream form, created by him. Bit of a mind bender indeed
This first chapter contains the spectre of death, the deceit of angels and a questionable alliance with Eden herself. His wife is not on any plane anyone can confirm, and that is upsetting the a status quo and balance that was set before time itself began. This book contains metaphysical questions about life, afterlife and the very nature of the human spirit……. in the first chapter.
This book is a deep ride. The closest I could compare it to would be the late Robin Williams “What Dreams May Come”. An underrated gem from about 20 years ago. You’ll not find any super-heroes in tights here. You’ll simply find a man who would rather wander purgatory looking for the woman he loves then stay in a dream that will never be real. A pure love across space and time.
I can see why this was funded on kick starter in 4 days(It should have been funded in 2 on the merits of the art alone).My understanding is that this is a 4 part book. I encourage you see to where this story can take you. Both on a visual and literary level. Cheers for now.
Write and Artist :Chris Callahan
I have a granddaughter now. Like Emmett, I pretty much would follow her to hell to bring her back too if she was taken from us. That’s what this 4th issue delves into. A trip to hell. Balegrim has taken something very precious to Emmett and he wants her back.
I’ve heard rumors that this is only a 6 issue series. Rumors , I say because like butt holes it seems everyone has one. There might be a hint to that in this issue as (minor spoiler) the trip to hell isn’t near as long as you’d think it would have been. It does the job but I could have stood to see more exploration of this version of hell. There’s a bit of foreshadowing of things to come in the form of a dangerous looking animal surveying the scene so maybe there’s another trip back there in the works.
I’ve liked that Donnie Cates has kept the cast of characters in this book relatively small so that you get a decent fleshing out of their personalities and insight into what makes them tick. There’s a really compelling 3 page run in the book that examines our characters relationship with god and how that can be judged and questioned in the face of strife .Some really good dialogue here. The development of the “non god” relationship between Roy and Janey has been an interesting and necessary subplot to the book.
The main hero of this chapter is Valofax in that he is able to be the strategist and warrior that we forget Emmett is not really ready to be. Interesting nod to “Lord of the Rings: Return of the King” here also. We’re also reminded in this chapter that although Emmett has the power of the gods now, he still has ties to his humanity that can be used to hurt him when need be. I think is an important plot point for this hero to have.
A majority of the media spotlight has been shone on Donnie Cates writing for giving this book the popularity it deserves .However, Geoff Shaw’s art has played a huge part , by being able to convey a combination of the country simplicity and regal war of the gods feeling of Donnie’s words .His wispy attention to detail in facial features covers every nuance of the characters emotions during the story, and his beautiful renderings of contrasting landscapes, whether the barren slate of hell, or the rustic home style of Texas have brought such a warm and unique feel to this book. The shades of shadowy dark inking used in this book lends a sense of foreboding to the story that has worked since issue #1.
Book 5 is due out May.17th.Highly recommend this.
Story: Donny Cates
Art: Geoff Shaw, Jason Wordie, John J.Hill
Colorist: Jason Wordie
Letterer: John J Hill
Some of the highlights coming in May is War Machine starring Brad Pitt
Handsome: A Netflix Mystery Movie
Other shows coming to Netflix Canada The Last Kingdom, Master Of None, Bloodline, F is for Family, Umbreakable Kimmy Schmidt.
Original comedies Maria Banford: Old Baby, Simplemente Many NNa. Norm Macdonald: Hitler’s Dog, Gossip & Trickery, Tracy Morgan: Staying Alive, Hasan Minhag: Homecoming King and Sarah Silverman: A Speck of Dust
Among some other highlights, Denial, Deepwater Horizon, Role Models, MMXXL, Moonlight, Silver Linings Playbook, San Andreas, The Eagle Huntress, Brooklyn Nine-Nine, The Girl With All The Gifts, Marvel’s Doctor Strange and Chappie
Wasn’t sure what to make of this after the first read. Read it the second time this morning and things started to come together. I hope so anyway. At this point I may be reading this issue all wrong.
First, I should point out that the first three pages are beautifully drawn and coloured. Greg Hinkle has drawn really great art there. The book itself is the beginning of a story which seems to involve, for lack of better term, on dream weavers. The story focuses on Zelda(I got that from the solicitations as I don’t think she is referenced as anyone other than “Ms. Barrett in the story)and her making her way in the world by giving the world the drug it always wanted…….the ability to make their dreams come true. Bringing along Zelda as their guide is just part of the deal.
These worlds of dreams seem all interconnected which COULD make for a story that would rival the magical world of Harry Potter if done right. More than once during the story there are references to her coming from “below” and there seems to be more than a few references to someone from above who seems to be a nemesis of hers with props such as water and lightning bolts involved. At this point I’m beginning to think that this is the beginning of a saga about temptation and a struggle of good vs Evil. I’m not really sure Zelda is on the side of the angels…..yet.
Greg Hinkles art has kind of dreamy, rustic, dark , yet elegant feeling to it and when I read the book the second time I could feel the style growing on me. Colorist Matt Wilson did a beautiful job specifically on those first 3 pages and throughout the book he was able to weave the bright blues, browns and shades of oranges of the Technicolor real world, with dull greys and blacks of a persons dream state(Except Bowie, who always dreamed in Color)
Over all I enjoyed the writing style of Jason Latour and Ivan Brandon although sometimes I felt like I was missing a lot of information about this world they are creating ,but like any good writer would plot……all in good time. There was a nice hook for the next book as someone is after Zelda and whether that be a specific nemesis or just a general guardian against what she is doing with the dream world remains to be seen. One thing that has been established is that Zelda is a power to be reckoned with in this dream world and it’s citizens have a lot of respect for this “old blood”. Lots of questions by the end of this chapter. Will pick up the next chapter off the shelf. If you enjoy the mystical and the feeling of something bigger this may be a book for you.
Next chapter is on sale May.10th
Story: Jason Latour & Ivan Brandon
Script: Ivan Brandon
Art: Greg Hinkle
Color: Matt Wilson
Lettering : Aditya Bidikar
Okay I am a little late seeing this and passing it on so I am hoping you have not seen this awesome Deadpool Musical. The musical is a parody of the Beauty and the Beast “Gaston” song. Right? I think it is that what it says on the Youtube page.
Oh hell it doesn’t matter just have fun watching it. A lot of time and love went into this production and it really, really shows.
Directed/Edited by Julian Higgins (http://www.julianhiggins.com)
Executive Producer – Michael Parker
Producers – Julian Higgins, Brian Danner, Paul Bianchi
Written by Paul Bianchi
Concept by Michael Parker and Julian Higgins
Director of Photography: Pierce Cook (http://www.piercecook.com)
Production Designer: Paul Bianchi
Art Director: Jo Crandall
Wardrobe Supervisor: Bridget Desjarlais
Stunt Coordinator and Fight Choreographer: Brian Danner
Source: YouTube, Zamurai Productions, LLC
Man, I am loving this story so far. It’s gritty, horrifying and intense. Justin Jordan has to have one of my favourite writing styles right now. Through flashbacks and present time conversation you’re getting a thoroughly flesh out story of what created this rogue ex- military death squad and why main character Abel was allowed to “escape” the program so many years ago.
The story and character reveal have been as slow and as methodical as the killing machines that they are referencing. Lead character Kira Sinclair has no illusion who she is dealing with….the psyche who she is dealing with, and it’s refreshing to see a character written who does not automatically try to see the good in humanity.
You can feel a bigger story at play here, but the writing has been so entertaining on the subplots that you don’t really feel the need to think about that too much at this point in time. Many times I feel there can be too much foreshadowing in a story that it gives you too much opportunity to guess ahead. I legitimately have no idea where this next chapter is going to lead.
Artist Ibrahim Moustafa and Colorist Jordan Boyd have been able to paint a dark, ice blue world as cold as the characters in this story. For being a self admitted “Goody two shoes “Ibrahim Moustafa sure does know how to draw some psychotically happy looking characters. He’s not as classic a drawer as his influence Alex Ross, but he’s been able to bring out the sinister in every character he has drawn in this series so far. Serenely brutal facial expressions
Can’t recommend this book enough folks. I’m enjoying it more and more each issue. Issue #3 ships May 3rd.Issues #1 and 2# should still be on the shelves.Cheers
Writer :Justin Jordan
Artist: Ibrahim Moustafa
Colured by Jordan Boyd
Lettered by Josh Reed
This book had a good vibe to it. Full disclosure. I have not read an X-book in almost 4 years, so this was very much a fresh start for this new team. A new team that is probably the closest thing to the “classic” line up of X-men #94 that I have seen in years. This book had a lot in it, and it needed to, to cover all the ground it required for a re-launch this big.
Marc Guggenheim has a good sense for what he wants this book to be. It’s a lot less darker than the X-world has been in the last few years. Much more of a sense of hope, instead of one of just survival. The X-men appear to know how to be well….”human” again. How to enjoy a day at the park…..even if they happen to live there now. There’s a cool few panels that anyone who has ever jumped first and thought of the consequences later would completely understand. You can stay…but you have to pay.
Adrian Syaf rivals Jim Lee in his depiction of the X-men, and it is good to see someone with that much attention to detail in facial expressions back at the helm again of an X-book. I had seen some of his earlier work on Captain Britain and MI13, but his attention to detail has grown even stronger since 2009.
They hit all the high points they needed to hit to get this book off to the right start. Lydia Nance had a unique take on why she thinks Mutants are still a threat to the world even though many others have been discovered who could fit that description. For Lydia, timing and a lack of control makes Genome X public enemy #1.The way Kitty Pryde has been written, she seems to get that time is the only thing that will heal SOME human fears about mutants. That there is no silver bullet to solve this and that doing good….is really the only thing they can do right now. Understanding why people are afraid is just an important as having them not be afraid.
I did have a small issue with the opening conflict. Terrax(minor spoiler) was dispatched rather quickly for being the level 9 bad ass that he is. He’s a former freaking herald of Galactus!!….anyway other then that I thought the book read well and am looking forward to the next issue. I won’t have to wait long as Marvel is going bi weekly with this title so every 2 weeks it’s on the newsstands.
Few other quick notes. There’s a pretty cool “Road to X-men Gold” which gives you a 6 page review of the X-men lore so far, hitting quite a few of the high points over the last 50 plus years. Also, there’s a nice letter at the back from Marc Guggenheim thanking us all for taking this ride with him, and giving us a chance to name this new X-men book(actually glad about that. Wasn’t looking forward to them calling it “X-men Gold”.).
Writer : Marc Guggenheim
Artist: Ardian Syaf
Inker: Jay Leisten
Colorist: Frank Martin
lettered : Cory Petit