Robyn Hood Ongoing #7
Written by Pat Shand
Art by Roberta Ingranata
Colors by Slamet Mujiono
Letters by Jim Campbell
Edited by Pat Shand
Good Day Poppers,
J.W. Coughlan here once again, this time with organised ramblings. A review, of what you ask? Well if you don’t know, you have obviously skipped ahead you little gaffer!
1. the chief electrician in a motion-picture or television production unit.
2. (informal) an old man.
Any how, here we go Robyn Hood 7.
Now I know people like to make mention of the scantily clad ladies in most Zenescope comics, and although Robyn does show it off, I will defend this with two words. Stephen Amell. He also mirrors Robin Hood every week as Arrow. He shows off his stuff almost every episode, and he looks good, a little too good. So, let’s just allow the world two sexy green archers. One man, one woman, one real, one drawn.
Now that the disclaimer fineprinty stuff is done here we go!
It was really sweet!!! Now, I find a lot of the time Zenescope has a great use of frames, or panels, whatever you wanna call them. In this book they did not disappoint. I was wowed by the frame work during the flashback scenes at the beginning of the issue.
I LOVE how her bow works. I won’t say anymore, there was one scene that blew me away and I want to leave a surprise for those of you who don’t know. But I can honestly tell you, in a time where bow and arrows rule many-a-fandom this one sure holds up.
Now Robyn is one character who shouldn’t be trifled with. She is tough in body and mind, which is really what a good story needs. Great character work on this project, including some really cool hero dynamics, like the playing of good cop bad cop, by herself.
Robyn and Marian are cool names, and a cool twist on Robin Hood and Maid Marian.
It does end on a cliffhanger, which I love, throwing in monsters, creepy cult priest dudes, you get the picture, dark awesomeness.
I love the cute date Marian goes on, but the best part was saved for last. There is a sequence where Robyn slowly pulls out her bow. Now, the art, the scene and the frame work give this last scene a truly cinematic feel. It was wicked.
A big shout out to Pat Shand on this one, Robyn Hood is truly a great comic from Zenescope and I hope Pat, as well as everyone else working on the comic keep up the hard work.
Until next time